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Here at TV Guide, we're big Arrowverse fans, and just like you, we wait for the midseason crossover event with bated breath each year. From the second they start shooting, we're stalking the Supergirl, Arrow and The Flash actors' Instagram pages, reading up on fan theories and digging into comic book canon to figure out what's coming down the pipeline.
We try our best to provide an epic crossover experience for our readers, and this year, we've teamed up with the minds at GameSpot to make sure that for every question you ask, we've got the best answer possible. Even if that question is, "Will Felicity Smoak (Emily Bett Rickards) and Barry Allen (Grant Gustin) accidentally make out thanks to his Freaky Friday incident with Oliver Queen (Stephen Amell)?" The resulting crossover hive mind turned up some awesome content from both TV Guide and GameSpot staffers, so read up on all our interviews, theories, spoilers and sneak peeks below!
First thing's first, you need to start off this crash course with the action-packed trailer for the Arrowverse: Elseworlds crossover. It's heavy on hilarity, but it also introduces some key characters we've never met before and gives us our first shots of Gotham. Check it out and prepare to be amazed!
It turns out teaming up is just as good an idea as Barry, Oliver and Kara make it seem! With our powers combined, GameSpot and TV Guide managed to get our hands on the first sneak peek at the crossover from The Flash episode airing Sunday, Dec. 9. In it, Kara introduces Barry and Oliver to her super cousin, Clark Kent (Tyler Hoechlin), and hilarity ensues!
For the most part, spoilers and surprises are kept under lock and key at The CW, so catching an actor posting something revealing or spotting a key piece of evidence in the background is a difficult task. We're up for the challenge though, so click on the image below for all the spoilers we've collected about the 2018 crossover!
Photo: Shane Harvey, Shane Harvey/The CWIf you're more mainstream and like to stay unspoiled, then you might want to stick with the standard gallery of official crossover images The CW puts out. They'll give you a couple ideas of what's to come (and they'll prompt more than a few questions about what in the heck is going on in this crossover), but you'll remain blissfully unspoiled about plot details and major twists.

Elseworlds
Photo: The CWWhile we kept an eye out for spoilers from the crossover, that doesn't mean we didn't take the time to sit down and dream up all the things we hoped would be in it. Surprise cameos and staples of the Batman universe topped our Crossover Wish List (click below!) this year, and we've even got the distinct feeling that some of our wishes will come true
Ruby Rose, ArrowPhoto: Jack Rowand, Jack Rowand/The CWWhen it comes to juicy behind the scenes details, there's nowhere to go than straight to the source. TV Guide and Gamespot spoke to Stephen Amell during a recent set visit in Vancouver about Barry and Oliver swapping lives, and he gave us some great details about how he and Grant Gustin pulled off the switcharoo. It's hard getting into character when your character has to get into another character. And now your head probably hurts... Click below for details!

Stephen Amell, Arrow
Photo: Jack Rowand, Jack Rowand/The CWWe were also lucky enough to chat with Melissa Benoist about her role in the crossover, which sounds like it will be pretty comedic! As the only one who can recognize Barry and Oliver for who they really are, Kara is bound to have a tough time keeping everything straight! Click on Supergirl to read more!
Melissa Benoist, SupergirlPhoto: Katie Yu/The CW
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ST. LOUIS—Explaining that the offshoot group remained on the religion’s periphery due to their inflexible belief system, sources confirmed Wednesday that a fringe Catholic sect doesn’t tolerate child abuse. “While this splinter group considers themselves followers of Christ and his teachings, it’s important to note that the vast majority of Catholics view the Reformed Church of St. Isidore’s conviction that children should not be molested or assaulted as wildly out of step with conventional doctrine,” said Bishop Thomas DeNunzio, adding that the centuries-old faction has been living in the shadows in the United States since at least the 1950s, drawing disciples with its contentious dogma of respecting children and refusing to open their doors to priests who had left their previous positions due to child abuse. “They have fled far from the traditional values of covering up child abuse, and in their rigid intolerance are attempting to invalidate hundreds of years of Roman Catholic precepts. Thankfully, though, they represent just a tiny minority of Catholics.” Sources added that several popes have considered excommunicating the fringe sect from the Church entirely in order to eliminate their heretical belief of objecting to child molestation from gaining any more followers.

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Oh man…so many apps and music things on sale this week!
AirTurn Pedals, iPad Holders, and Stands are all 20% off!
PreSonus Notion is 50% off as is StudioOne for the desktop. No iOS sale yet.
Below is a collection of apps that I have found to be amazing music performance apps/music education apps. All high quality and now is a great time to purchase!

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Love, Loss, and Auto-Tune Joyful Noise
7 September 2018
Jerry Williams, Jr. began as an R&B singer back in the '50s, created classic Southern soul music in the '60s, and then got totally strange in the '70s, reportedly in part due to LSD consumption. He became psychedelicized as Swamp Dogg and rivaled Frank Zappa, George Clinton, and others from the era because of his imaginative weirdness that combined an odd sense of humor, science fiction, human greed, and sexual proclivities into a humping mass of sonic wonderment. His irreverence allowed him to make bold statements about the state of race (and other social and economic issues) in America whose hyperbolic truths were verboten elsewhere. Dogg was also a dog for love, and he continued to sing and write odes to that miracle feeling. Life may be a bitch, but who doesn't love a mother.
Dogg is back with a new album about love and loss that's superficially different than anything he's ever done before. He's gone electronic. Poliça's Ryan Olson produced Love, Loss, and Auto-Tune in which the title is no idle boast. The synthesizer/vocoder elements are central to the sound and the aim of the project. Dogg sings to and with himself to create a cyborg-like voice that suggests the essential loneliness of human beings locked in separate body machines. The 75-year-old singer evokes the nostalgic future of the past, all stainless steel and glass, where self-control is the only control one ever really has. The rest of the world is automated, and all its inhabitants are automatons that can only be redeemed by contact with other human beings.
Consider Dogg's collaboration with Bon Iver (Justin Vernon) on "I'll Pretend". Dogg sings in a calm voice about his heartbreak, but the sonic effects of the vocoder betray his love. The lyrics capture the depth of his feelings, which are close to maniacal. He notes the absence of sound but pretends not to hear the silence. He imagines what he doesn't see and invents what he doesn't smell. He's not just making believe. He's desperate. And the Auto-Tune just enhances how out-of-touch he is. Dogg's narrator would rather live in a fantasy world than accept reality without the woman he loves.
Dogg ain't afraid to get down and dirty. On the appropriately entitled "I'm Coming With Lovin' on My Mind" he details what he's looking to do ("I'm gonna kiss you from your head to your feet"). The electronic accompaniment here intensifies the feeling of sexual desire. He uses the same technique with more comic results on "Sex With Your Ex" and "I Love Me More". Dogg may be serious in his carnal sentiments but the electronica lightens the load so he can kid ("I need you like an eagle needs an airplane" he croons) about the physical nature of intimacy.
Love, Loss, and Auto-Tune is bookended by a pair of covers of pre-rock chestnuts: Nat King Cole's "Answer Me, My Love" and Hoagy Charmichael's "Stardust". The opening track features horns and strings in addition to the vocoder and electronic effects. The song concerns a man unsettled by his lover's leaving. He sincerely declares his affection, but the bizarre music behind him suggests it is now and will remain unrequited. His sorrow has unhinged him. "Stardust" closes the disc in a more hopeful manner. Though he may dream in vain, the memory of love's refrain brings him peace. The vocoder is used much less here. The electronics are employed more to create the reverie of thinking about the past. But Dogg doesn't just let the feelings lie. He closes with bombast and fanfare as his voice and the instrumentation get louder until the fade out. It's a fitting way to end the album, with a strong declaration of love and loss.
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Thankfully, Thanksgiving is tomorrow. If you can't wait to eat your body weight in turkey, you're not alone. Feast on these hilarious Thanksgiving memes today and get ready to totally pig out tomorrow.







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With so much good music being released all the time, it can be hard to determine what to listen to first. Every week, Pitchfork offers a run-down of significant new releases available on streaming services. This week’s batch includes new albums and EPs from Robyn, Thom Yorke, boygenius, Georgia Anne Muldrow, Julia Holter, Makaya McCraven, Jeremih and Ty Dolla Sign, and Nao. Subscribe to Pitchfork’s New Music Friday newsletter to get our recommendations in your inbox every week.
Robyn: Honey [Konichiwa/Interscope]
Robyn’s excellent new record Honey comes eight years after her last solo full-length, 2010’s Body Talk. It features “Missing U” and the long-awaited track “Honey,” an early version of which played during an episode of HBO’s “Girls” in 2017.
Read Pitchfork’s feature “Robyn Breaks Down Every Song on Her New Album, Honey.”
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Thom Yorke: Suspiria (Music for the Luca Guadagnino Film) [XL]
Radiohead’s Thom Yorke has soundtracked his first movie, the Luca Guadagnino-directed remake of 1977 horror film Suspiria. Yorke has compared the process to “making spells.” Check out the Best New Track review of “Suspirum.”
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boygenius: boygenius EP [Matador]
boygenius—the supergroup of Julien Baker, Phoebe Bridgers, and Lucy Dacus—recorded their self-titled EP in Los Angeles in June 2018. Read Pitchfork’s Best New Track review of “Me & My Dog,” as well as the feature “boygenius Are the Egoless Supergroup of Your Indie Rock Dreams.”
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Georgia Anne Muldrow: Overload [Brainfeeder]
Overload is L.A. singer and producer Georgia Anne Muldrow’s first record for Brainfeeder The album’s executive producers are Flying Lotus, Aloe Blacc, and Dudley Perkins. In a statement, Muldrow called Overload “an experiment in restraint.” Check out Pitchfork’s review of “Overload” (named Best New Track).
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Julia Holter: Aviary [Domino]
Aviary follows Julia Holter’s 2015 album Have You in My Wilderness. “I think this album is reflecting that feeling of cacophony and how one responds to it as a person—how one behaves, how one looks for love, for solace,” Holter said. “Maybe it’s a matter of listening to and gathering the seeming madness, of forming something out of it and envisioning a future.” Check out the track review for “I Shall Love 2.”
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Makaya McCraven: Universal Beings [International Anthem]
Universal Beings is the latest album from Chicago-based jazz drummer and producer Makaya McCraven. It follows his 2015 record In the Moment, as well his mixtapes Highly Rare and Where We Come From (CHICAGOxLONDON Mixtape). McCraven’s new 22-track LP includes contributions from Jeff Parker, Miguel Atwood-Ferguson, and others. Read Pitchfork’s review of “Atlantic Black.”
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Jeremih / Ty Dolla Sign: Mih-Ty [Def Jam/Atlantic]
After nearly a year of teases, Jeremih and Ty Dolla Sign’s first collaborative album has arrived. The 11-song Mih-Ty includes guest appearances from French Montana, Wiz Khalifa, and others. Check out Pitchfork’s review of Mih-Ty’s “The Light.”
Ty Dolla Sign released Beach House 3 in 2017. Jeremih’s last solo studio record, Late Nights, came out in 2015. He released the Chocolate Box EP earlier this year.
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Nao: Saturn [Little Tokyo/Sony UK/RCA]
Nao’s follow-up to her 2016 debut album For All We Know has landed. Saturn is 12 songs long and includes guest spots from SiR and Kwabs. Read Pitchfork’ review of the opening track “Another Lifetime.”
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